The ubiquitous meaty treat has its very own dedicated festival as part of Hawke’s Bay’s Food and Wine Classic. Sarah Daniell asks participating chef Peter Gordon, what is it about the meatball?
Little Girl Lost March 13, 2025 Missing person files are, by definition, a sad lament. When it’s a child, acutely so. The disappearance in 1949 of 2½-year-old Elizabeth Shannon, who wandered off and vanished is still etched into the minds of many who lived in Wellington at the time. By:…
A Kete Half Empty March 13, 2025 In her essay below, first published in North & South in January 2020, Liang describes poverty as a "heritable condition" that perpetuates and amplifies through generations: “It is also not hard to see how individual poverty flows into communities and society, with downstream…
Secrets and Lies An explosion in the popularity of DNA tests is exposing a litany of secrets and lies, with as many as one in four tests returning an unexpected result. And as Joanna Wane discovers, it’s ripping some families apart. How many people would have known what the…
Japan's theme parks February 27, 2025 Fancy paying to play with a dog, watch a sheep being shorn or share a beer with a real Kiwi bloke? For a few hundred yen, you could find all this at monolithic New Zealand-themed adventure parks in the Japanese countryside. Michelle Duff…
Canopies and clarity February 27, 2025 To visit Abel Tasman National Park in the off-season is to discover wild beauty uncluttered by crowds. Sarah Daniell finds her own pace in a self-guided day walk from Tōtaranui to Medlands Beach.Abel Tasman sailed into this jewel-like world in 1642, the first…
Full Noise February 20, 2025 Sarah Daniell recently moved from the suburbs to the inner city in Auckland. In an occasional column she writes about discovering new noises, neighbours and a different place - and way - to live.I wake early each morning to the sound of the city…
Auckland Art Gallery Toi o Tāmaki welcomes a retrospective exhibition from one of contemporary art's great ambassadors for climate consciousness and the capacity of art to affect change.
Christine Jeffs latest film, A Mistake, is based on author Carl Shuker’s novel in which a surgeon’s split-second decision leads to dire consequences. Shuker talks to Jeffs about directing Hollywood stars and the love of horses that keeps her home. By Carl Shuke
NORTH & SOUTH + AUT Virtual Revolution AUT puts the latest technology in the hands of today's students AUT has opened its virtual production studio, putting top-end Hollywood production technology in the hands of today’s students. Associate Professor Dafydd Sills-Jones, Head of AUT’s Virtual Creative Precinct, says the virtual production…
NORTH & SOUTH + Dynamo6 Switched on:Waikato's tech trailblazer Dynamo6’s journey from a small startup in Waikato to a leader in digital transformation and innovation is a testament to the power of vision, resilience, and strategic thinking. When Igor Matich founded Dynamo6, he envisioned a company rooted in the…
NORTH & SOUTH + Lincoln University A visualisation of the new agrivoltaic Lincoln University Energy Farm by Boffa Miskell Harvesting the sun A new farm at Lincoln University will be the first in New Zealand to produce renewable energy as well as high-value crops. Currently awaiting resource consent, the Lincoln…
Growing up in the eighties, “a little girl with buck teeth and red pigtails”, Megan Dunn didn’t dream of becoming a Project Manager. She wanted to be Madison, the mermaid played by Daryl Hannah in Splash. By Theo Macdonald.
Growing up in the eighties, “a little girl with buck teeth and red pigtails”, Megan Dunn didn’t dream of becoming a Project Manager. She wanted to be Madison, the mermaid played by Daryl Hannah in Splash. By Theo Macdonald.
Growing up in the eighties, “a little girl with buck teeth and red pigtails”, Megan Dunn didn’t dream of becoming a Project Manager. She wanted to be Madison, the mermaid played by Daryl Hannah in Splash. By Theo Macdonald.
Historic artefacts washed up by the tides hint at lost lands whose full stories we can only guess at.
Strange monsters and ominous ghosts can be traced to repressed memories of violent histories, argues one Australian researcher looking at the past through a novel lens.
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