Too clean for green politics? What a Harris administration could mean for New Zealand and how the Biden White House fused environmental policy with industrial protectionism.
By Henry Whyte
Sleeping dogs: Tom Phillips and New Zealand’s wilderness myth
From Man Alone to Hunt for the Wilderpeople, Kiwi culture has long romanticised the bush-dwelling loner. Now Tom Philips drags his children into a dangerous reality challenging our national narrative of rugged individualism. By James Borrowdale
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Writer John Sinclair talks to the Chief Police Commissioner Andrew Coster on the eve of his departure for the shores of social reform. By John Sinclair
Economist Geoff Bertram on why the turning tides of price increases doesn’t mean government can claim credit for cutting inflation. By Geoff Bertram
Writer John Sinclair talks to the Chief Police Commissioner Andrew Coster on the eve of his departure for the shores of social reform. By John Sinclair
How one man’s fabrications about Māori land claims exposed deep-rooted prejudices and, surprisingly, led to an unexpected journey of healing. By Anna McMartin
Too clean for green politics? What a Harris administration could mean for New Zealand and how the Biden White House fused environmental policy with industrial protectionism. By Henry Whyte
Alarming statistics reveal a mental health crisis behind bars. John Sinclair writes about the urgent need for reform and rehabilitation highlighting the struggles of both inmates and staff in a system that has been pushed to its limits. By John Sinclair
Smoke & Mirrors: What’s gone wrong with the ETS?
The emissions trading scheme is meant to be the country’s main tool for reducing our emissions, but critics say it’s doing little more than carpeting the country in permanent pine forest. Meanwhile, the price of carbon credits has gone from boom to bust. What’s gone wrong? By George Driver
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Auckland Art Gallery Toi o Tāmaki welcomes a retrospective exhibition from one of contemporary art's great ambassadors for climate consciousness and the capacity of art to affect change.
Christine Jeffs latest film, A Mistake, is based on author Carl Shuker’s novel in which a surgeon’s split-second decision leads to dire consequences. Shuker talks to Jeffs about directing Hollywood stars and the love of horses that keeps her home. By Carl Shuke
Virtual Revolution
NORTH & SOUTH + AUT Virtual Revolution AUT puts the latest technology in the hands of today's students AUT has opened its virtual production studio, putting top-end Hollywood production technology in the hands of today’s students. Associate Professor Dafydd Sills-Jones, Head of AUT’s Virtual Creative Precinct, says the virtual production…
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NORTH & SOUTH + Dynamo6 Switched on:Waikato's tech trailblazer Dynamo6’s journey from a small startup in Waikato to a leader in digital transformation and innovation is a testament to the power of vision, resilience, and strategic thinking. When Igor Matich founded Dynamo6, he envisioned a company rooted in the…
NORTH & SOUTH + Lincoln University A visualisation of the new agrivoltaic Lincoln University Energy Farm by Boffa Miskell Harvesting the sun A new farm at Lincoln University will be the first in New Zealand to produce renewable energy as well as high-value crops. Currently awaiting resource consent, the Lincoln…
NORTH & SOUTH + Dole Banana stems and runways:Dole's commitment to Zero Waste The global leader in fresh produce makes a groundbreaking shift from fruits to fabrics merging eco-conscious fashion with their iconic brand. When you think of bananas, the first thing that probably comes to mind is a bright…
Growing up in the eighties, “a little girl with buck teeth and red pigtails”, Megan Dunn didn’t dream of becoming a Project Manager. She wanted to be Madison, the mermaid played by Daryl Hannah in Splash. By Theo Macdonald.
Growing up in the eighties, “a little girl with buck teeth and red pigtails”, Megan Dunn didn’t dream of becoming a Project Manager. She wanted to be Madison, the mermaid played by Daryl Hannah in Splash. By Theo Macdonald.
Growing up in the eighties, “a little girl with buck teeth and red pigtails”, Megan Dunn didn’t dream of becoming a Project Manager. She wanted to be Madison, the mermaid played by Daryl Hannah in Splash. By Theo Macdonald.
Historic artefacts washed up by the tides hint at lost lands whose full stories we can only guess at.
Strange monsters and ominous ghosts can be traced to repressed memories of violent histories, argues one Australian researcher looking at the past through a novel lens.
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